It's A Dangerous World Out There
My name is Ivan. Charlotte, NC. Previously the-best-buds. I love art, the beach, music, science, cigarettes, open fields, weed, the mountains, learning, people, sunrises, design, sculpture, fire, guitar, thinking, clothes, drawing, alcohol, being outside, running, smiles, sunsets, my family, colors, sweet tea, the woods, the universe, water, the sun, graffiti, cars, sex, jewelry, cigars, tattoos, parties, food, shoes, wrestling, piercings, girls, the moon, and traveling. My best friend is my brother. If you wanna know anything else, just ask.
It's A Dangerous World Out There
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leslieseuffert:

Erik Johansson
leslieseuffert:

Erik Johansson
leslieseuffert:

Erik Johansson
leslieseuffert:

Erik Johansson
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ninikills:

KINETIC SCULPTURE
BMW Museum Munich
ninikills:

KINETIC SCULPTURE
BMW Museum Munich
ninikills:

KINETIC SCULPTURE
BMW Museum Munich
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ummhello:

tori-tori restaurant, rojkind arquitectos

Don’t like the green flooring and tables but the idea is cool as fuck
ummhello:

tori-tori restaurant, rojkind arquitectos

Don’t like the green flooring and tables but the idea is cool as fuck
ummhello:

tori-tori restaurant, rojkind arquitectos

Don’t like the green flooring and tables but the idea is cool as fuck
theblackworkshop:

Latin America Memorial, São Paulo Concert Hall Architect: Oscar Niemeyer, 1987 (via Julian Weyer’s Tour of Mid-Century Modern Brazil « The Mid-Century Modernist)
photoplayme:

Ministry of Foreign Affairs 06 by weyerdk

Ministry of Foreign Affairs BrasiliaArchitect: Oscar Niemeyer 1962
Found via stair-porn
Photoplay Contest: designismymuse
Please follow, and if you’re up for a challenge - submit your photos to PhotoPlay today!
thearchtivist:

Galvani House by Christian Pottgiesser
wrists:

(via Local History)
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cabbagerose:

penthouse at the metropole,washington dc/forma design
via: inthralld
cabbagerose:

penthouse at the metropole,washington dc/forma design
via: inthralld
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devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]